I started my voyage in the arts from classical music. Meaning – I’ve been sentenced to practice for life. Practice was always there – practice my instrument (oboe), practice the piano (ambivalent relationship here), new manuscripts, solfeggio, harmony, counterpoint, singing, orchestration, composition, chamber music, playing in an orchestra, conducting an orchestra, practice-practice-practice. No matter how much more there is to add to this list, it will always go hand in hand with – practice. During ten of those years I was also a ballerina (you’ll have to stretch your imagination a little…) and it was the same thing – practice.
Then I arrived to storytelling. We were asked to prepare, but practice?! Eventually I found practice and realized it’s a very subjective issue among storytellers, highly dependent on what we wish for ourselves – artistically. How come many manage without stable practice? How come most storytellers don’t have a daily routine like other performers?
Observing the daily lives of musicians and dancers, I came up with two main differentiators that effect everything else:
#1 When you start learning music, the little pieces you play are handpicked by your teacher, keeping her eyes on the methodological and artistic arcs of becoming a musician while closely observing you. When you manage to handle those pieces, the teacher pushes up the bar and does so continuously. If you want to enjoy your music, you’ll have to practice. Same with ballet. Knowing they don’t want to “break” the students, ballet teachers will allow some time for free-style during each lesson, but that you’ll enjoy anyway.
#2 Musicians, dancers and many actors – learn, perform and grow within an artistic ecosystem. There are academies and institutions, theaters and orchestras, ballet troupes and groups, there are halls and stable audiences, composers, choreographers, writers, directors, trainers and many others, all rotating within the system. If you want to be part of the artistic ecosystem, you’ll have to practice and keep to a daily routine.
What about storytellers?
Once upon a time, there were artistic storytelling ecosystems you could be part of; very little of that still exists today, so most of the time we have to do it solo. After some contemplation I see a storyteller’s routine situated somewhere between performance arts routines and those followed by authors and painters. More about it in another post.
In the meanwhile, I found something that might not be suitable to all storytellers, maybe to some… at least in the frameworks of “applied storytelling”…